To my Mother.

It has been 2 years since my Mother left us.  A year ago, I wrote about the experience (below).  This year, I needed a little distance from the date.

Amazingly, though I spent the whole day remembering the dénouement, I was not sad thinking about her loss.  In fact, I don’t think of her as being absent from my life the way I did when it happened.  In many ways, she is ever more present than she ever was.

A year ago I wrote that “not all women who give birth are good Mothers, and many women who do not have children themselves make formidable Mothers. For the essence of Motherhood is in giving of oneself in a selfless manner.”  My Mother was the most unselfish person I have known.

I am embarking on a new venture, one that will take me to Afghanistan…something that I find exhilarating and approach with trepidatious anticipation.  Her constant reflections and wisdom are my ever-guiding principles.  God’s mills grind slowly, but they grind exceedingly small was one of her favorite quotes. 

I miss her physical presence, her big eyes and warm smile.  She left an indelible mark that withstands the ebb and flow of time.  If only I can do the same for my children, I shall leave this world like my Mother said, when God no longer thinks I am needed around.

Adriana C. Dillon (1927-2010)

A year ago, as my Mother was leaving this world, I emailed my children, who were not present, what their Grandfather, Aunt and Uncles and I were going through:

We have spent a lot of time laughing and crying together with her.  We have rosaries blessed by John Paul II and pray our Our Fathers and Holy Mary’s and St. Francis’ prayers… and then we will make jokes and laugh …

We are at peace, and know that Grannie is better off going to meet her parents, the Pope, Jane Austen, Charles Dickens, Thackeray, Balzac, Victor Hugo, and all her beloved authors.

Grannie always said she knew God would keep her in this world until we no longer needed her.  She needs to know now that we are strong enough to let go of her.

Reflecting on those last moments, I realize how lucky we were to be able to mix laughter with the tears, and to share until the very end the strong family bond that was at the heart of my Mother’s life.

I also realize now, after a full year, the meaning behind the tradition of wearing black for mourning.  It was a way to let the world know that the mourner was going through a stage in his/her life that required others to understand, at the very least, his/her constant void and woeful sorrow.

So, since death is inescapable, one of these days we will all be with my Mother again.   She was an incurable romantic.  What I would give to watch Pride & Prejudice with her one more time:

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The world’s largest Lapis Lazuli mine.

It turns out that the world’s largest lapis lazuli mine is the Sari-i-Sang mine in northern Afghanistan.

The ancient royal Sumerian tombs of Ur, located near the Euphrates River in lower Iraq, contained more than 6000 beautifully executed lapis lazuli statuettes of birds, deer, and rodents as well as dishes, beads, and cylinder seals. These carved artifacts undoubtedly came from material mined in northern Afghanistan.

Read more about this here.

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Afghanistan’s treasures, jewelry and dolphins.

I am constantly amazed -and perplexed- at discovering the “hidden” treasures of Afghanistan…The dolphin clasp above brought to mind the pair of ancient boars I saw in Greece. 
I just learnt that there is a dolphin statue at the airport in Kabul…which makes me wonder…what is the significance of the dolphin in Afghan culture?

 Photo taken by a Lieutenant Colonel in the Nevada Air National Guard.

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Art in Afghanistan.

Muhammed Maimongi, German Landscape, date unknown, oil on canvas mounted on wall, about 72" x 55" - Photo by Steve Mumford

Steve Mumford, a New York artist, writes about the National Gallery of Afghanistan and provides a window into a different world.  Interesting read.

Thanks to Major Paul Smyth of UK Forces Afghanistan.

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Sometimes I feel tired of reading au-courant blogs…

and I find solace in reading blogs that teach me something along the way…

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Rudyard Kipling – Ford o’ Kabul River…

Trying to learn – from a Western perspective- a little bit about Afghanistan, I came across Rudyard Kipling’s poem about the Kabul River.  Below is the poem, but here is an explanation of what happened behind the scenes…

Ford O’ Kabul River

Kabul town’s by Kabul river –
Blow the bugle, draw the sword –
There I lef’ my mate for ever,
Wet an’ drippin’ by the ford.
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
There’s the river up and brimmin’, an’ there’s ‘arf a squadron swimmin’
‘Cross the ford o’ Kabul river in the dark.

Kabul town’s a blasted place –
Blow the bugle, draw the sword –
‘Strewth I sha’n't forget ‘is face
Wet an’ drippin’ by the ford!
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
Keep the crossing-stakes beside you, an’ they will surely guide you
‘Cross the ford o’ Kabul river in the dark.

Kabul town is sun and dust –
Blow the bugle, draw the sword –
I’d ha’ sooner drownded fust
‘Stead of ‘im beside the ford.
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
You can ‘ear the ‘orses threshin’, you can ‘ear the men a-splashin’,
‘Cross the ford o’ Kabul river in the dark.

Kabul town was ours to take –
Blow the bugle, draw the sword –
I’d ha’ left it for ‘is sake –
‘Im that left me by the ford.
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
It’s none so bloomin’ dry there; ain’t you never comin’ nigh there,
‘Cross the ford o’ Kabul river in the dark?

Kabul town’ll go to hell –
Blow the bugle, draw the sword –
‘Fore I see him ‘live an’ well –
‘Im the best beside the ford.
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
Gawd ‘elp ‘em if they blunder, for their boots’ll pull ‘em under,
By the ford o’ Kabul river in the dark.

Turn your ‘orse from Kabul town –
Blow the bugle, draw the sword –
‘Im an’ ‘arf my troop is down,
Down an’ drownded by the ford.
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
There’s the river low an’ fallin’, but it ain’t no use o’ callin’
‘Cross the ford o’ Kabul river in the dark.

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Afghan oil paintings…

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Radio Azadi and Afghanistan.

I shall be visiting Afghanistan for the first time in my life in the next few days.  What best describes my mood?  Excitement and trepidatious anticipation.

Sometimes, the news that is reported is not that encouraging.  But sometimes, one reads or sees an interesting report such as this one from Radio Free Europe and its Radio Azadi project.

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The ravages of polio.

In preparation for an upcoming trip to Afghanistan, I was given a polio vaccine booster.  I realized then that I was completely unaware that polio is endemic there.  According to the World Health Organization:

 ” In 2011, only four countries (Afghanistan, India, Nigeria and Pakistan) remain polio-endemic, down from more than 125 in 1988.  Persistent pockets of polio transmission in northern Nigeria and the border between Afghanistan and Pakistan are the current focus of the polio eradication initiative.”

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A soldier’s uniform.

Meet Joey Paulk, who survived horrific injuries incurred in Afghanistan:  “The burns on a soldier’s face are huge: It’s your military uniform and you can’t take it off,” he said. “The surgery changed so much on my face that it completely changed my whole outlook on life.”

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Rabia Balkhi, the first and only Afghan queen and Persian poetess.

She lived in the 10th century.  She fell in love with her brother’s slave.  She was imprisoned by her brother and committed suicide after writing her last poem, Love, on her prison wall with her own blood. 

I am caught in Love’s web so deceitful
None of my endeavors turn fruitful.
I knew not when I rode the high-blooded stead
The harder I pulled its reins the less it would heed.
Love is an ocean with such a vast space
No wise man can swim it in any place.
A true lover should be faithful till the end
And face life’s reprobated trend.
When you see things hideous, fancy them neat,
Eat poison, but taste sugar sweet.

Rabia Balkhi was the first and only Afghan queen.  Today, there is a hospital named after her.  Her tomb, presumably, is in the now familiar city of Mazar-e-Sharif.  A movie of her life survived destruction by the Taliban.

Her famous last poem became popular as Ahmad Wali’s “song”:

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“Who are you?” Forensic anthropology and human rights.

From Arts & Letter Daily  comes a fascinating article,  Mengele’s Skull, that details “…the value of forensic anthropology to human rights…”  An excerpt:

It was during the Mengele investigation that the procedures and techniques of forensic identification of human remains were methodologically developed. “That was one of the things we came away from the Mengele case with—a dynamic, ongoing, simultaneous interdisciplinary approach to the problem of identification. A certain analytical method has been effectively developed.”32

Snow’s trip to Brazil came immediately following the start of his work with the group of young Argentine anthropologists just beginning to investigate the remains of the disappeared in the “dirty war.” As he tells the story, his bags were not yet unpacked.33 It was the team in Argentina that would go on to conduct the first large-scale and systematic exhumations in the context of human rights work, producing over many years important evidence in the trials of the junta leaders and developing a pioneering professional expertise in forensic anthropology. Later, they helped disseminate this competence in the killing fields of the 1990s, in places like Guatemala and Chile, but also in Rwanda, Yugoslavia, and elsewhere. Where there was a dispute around a war crime, the graves that had once simply been the space of memory became an epistemic resource.

Modern human rights forensics began in Argentina with the victims, and in Brazil with the perpetrator. And it began with the same question asked of the bones: “Who are you?”

Read it all:  Mengele’s Skull.

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…”when the beauty of the Earth and the human race rises up and takes your heart with it”…

So says Gerard Van der Leun, and I agree:

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Merry Christmas!

Here is a beautiful poem penned by Henry Wadsworth Longfellow, during the American Civil War, after having suffered great personal loss.           

CHRISTMAS BELLS   

I HEARD the bells on Christmas Day
    Their old, familiar carols play,
        And wild and sweet
        The words repeat
    Of peace on earth, good-will to men!

    And thought how, as the day had come,
    The belfries of all Christendom
        Had rolled along
        The unbroken song
    Of peace on earth, good-will to men!

    Till ringing, singing on its way,
    The world revolved from night to day,
        A voice, a chime,
        A chant sublime
    Of peace on earth, good-will to men!

    Then from each black, accursed mouth
    The cannon thundered in the South,
        And with the sound
        The carols drowned
    Of peace on earth, good-will to men!

    It was as if an earthquake rent
    The hearth-stones of a continent,
        And made forlorn
        The households born
    Of peace on earth, good-will to men!

    And in despair I bowed my head;
    “There is no peace on earth,” I said;
        “For hate is strong,
        And mocks the song
    Of peace on earth, good-will to men!”

    Then pealed the bells more loud and deep:
    “God is not dead, nor doth He sleep;
        The Wrong shall fail,
        The Right prevail,
    With peace on earth, good-will to men.”

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National Geographic’s Photo Contest.

There are some wonderful Nature photos at National Geographic like the one below:

Photo and caption by Dafna Ben Nun ~ Beluga whales in the arctic having fun.

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